"I simply believe that some part of the human self or soul is not subject to the laws of space or time."
- Carl Jung

They will come back, come back again,
As long as the red earth rolls.
He never wasted a leaf or a tree.
Do you think he would squander souls?
- Rudyard Kipling

 

One
Rome, Italy - Sixteen Months Ago

RC: JULIAN thank you so much for granting me an interview. Please start by telling me how long you have been a cover model.

JULIAN:  Actually my first cover came out this month, May 2007.  The book is called “Cowboy Fling” by Sherry James.  I am not familiar with any of the authors.  I have only been involved with Ellora’s Cave since the end of 2006.  My second cover is due out soon, titled “Whisper of the Blade, Two of Swords” by Anya Badt.

RC:  "International Men Of Steel" is a fabulous title. (I mean that sincerely).  What is InternationalMenofSteel.com? 

 

JULIAN :  The International Men of Steel (IMOS) is a male dance revue show.  I brought together a group of male dancers who each have a number of years in the business, great performers who can hold their own on the main stage.  Together we are the best show in the business.

RC:  What is Sendstrips.com? 


JULIAN:  Sendstrips is my strip-o-gram company.  I have male and female dancers available for private parties.  I started the biz back in 2005.  We are the leading service of it’s kind here in Houston.

  RC:  So you dance, you model, (what else?) you attend Ellora's Cave special events.


JULIAN:  I am a dancer.  I have been an entertainer since the age of 12.  I began as a break dancer back in ’82.  I was in a breaking group called the “Floor Rockers” and we had an agent who got us a number of TV appearances, concerts with famous rap artists, performances at schools, parades, etc.  When I was 17 I was a dancer on a popular music program similar to Soul Train in Cleveland, Ohio.  At 18 I started as a male dancer with some friends in a group called “Hot Knights”.  I did that for about a year and a half, and then got into one of the top shows around called “American Heat”.  It was one of the best times in my life.  The money was incredible, we were everywhere and I worked with a great group of guys who knew how to separate what we did at night with the rest of our lives. 

I did a movie at age 27 called “Renegade Force”, a ‘made for cable’ movie starring Michael Moorer and Robert Patrick (the liquid villain on Terminator 2).  You can google search the movie and find info on it. I had a small part with no lines that you can hear but it was interesting.

 In 2000, I was asked to travel as a guest to Italy to do a number of shows for a holiday celebrated in their country called “Festa de la Dona”.  The company, California Dream Men, were impressed with my show and I was asked back in 2001.  Since then I have been back every year and I am the main person in charge of bringing talent to perform.  This March I brought 17 dancers from the states to perform in all of the shows.  It was a great time!  There is so much more since then but right now this month has been busy.

RC: Is any month of the year more action packed (work-wise) than any other? What might be on your Business calendar in a "good" month? (What did your business diary look like in May of 2007 for instance... or any other month you'd rather talk about).

JULIAN:  (As of May 2007) I just got back from my honeymoon.  That’s right, I am a newlywed.  I found my Princess and we actually had a fantasy wedding in a castle with Musketeers and full costumes.  It was beautiful. 

Next, I am off to Puerto Rico to feature on a show with the world famous Chippendales.  I am very honored to be the first ever non-Chippendale to be featured on one of their tours!  There are 5 billboards in San Juan with my picture on them and I just did 3 TV appearances promoting the up and coming shows.  Later this month my group (IMOS) is traveling to Peru to do 4 shows around Lima.  After that we are off to Canada in June.

RC: Can we talk tattoos? In some of your photos, and when I saw you in the calendar-signing line up at RT I couldn't help noticing that you have a tattoo. Are they permanent tattoos or are they artwork? Or, are they like a costume? Do you feel less "undressed" if you have a tattoo?  Have you ever applied for a modeling job and been turned down because of a tattoo?

JULIAN: Tattoos! Well I have 3 of them as of now.  They are real and they have a meaning.  My tatts are all 3 indians.  My first, on my right calf, is of a warrior Indian on the edge of a cliff holding the world over his head, like Atlas.  I got that when my son Jordan was born.  The world represents Jordan, he is mine.  There is one on my left shoulder, which is a profile of me when my hair was longer, made into an Indian.  The big piece on my back is an Indian Spirit (eagle/man/flag) which represents that which I feel represent Freedom, patriotic heart, and the dream I love to have, to fly.  I have never lost a job due to the tatts.  Most agencies now have the ability to add or remove tattoos digitally, so having them or not isn’t really much of an issue.

 
RC: You seem to have a lot of different looks! It's amazing the difference a goatee and long or short hair can make. (I explored this idea in my book INSUFFICIENT MATING MATERIAL... which you very kindly posed with for the TV cameras). Is a thin goatee like yours a lot of trouble to maintain? Have you ever shaved with a shaking hand and been obliged to change the shape of your goatee? Ah, and are those extraordinary blue eyes of yours naturally blue, or do you wear colored contact lenses for special occasions?


JULIAN: My goatee isn’t very hard to maintain.  I have had to change it a little due to little mistakes caused by shaking, being bumped, etc.  I do wear contacts to change the color of my eyes. I go from blue to green, though my natural eye color is brown.  The reason I started back when I was 18 was because I was nervous to look at people eye to eye.  The lenses made me feel like I had on a mask.  I needed that to open up I guess and it’s been that way ever since.
 

RC:  Have you ever been injured while performing or training?

JULIAN: I have had a couple small incidents over the last 19 years at work.  Nothing big.  I was coming down off a stage once and jumped down onto a chair seat.  I fell right through the seat and both shins hit the metal part of the frame.  I had two golf ball size knots for a week.

Another time I was doing a show and did a back handspring from one stage over this small runway onto the other.  I misjudged the runway and ended up on the lap of the girls sitting around the stage.  No one was injured except my pride, lol.

RC: Do you have any pet peeves about any aspect of your job (or how spectators treat you) that maybe no one would think of? (For instance, if a woman is heavily pregnant, strangers seem to feel they have a right to touch her tummy!) 

There are things that bother me about people’s perceptions.  Well mostly, for some reason we as male dancers are perceived to be gay.  I hate, hate, hate that one the most.  Ever since I started at age 18 I have had to deal with that.  I am not going to get into it more than just saying the guys who don’t dance are going to tell their girls not to come see a bunch of fags dancing around in their undies.  The other part is the girls who approach us thinking they have a chance, then get rejected and tell everyone that we are gay because they could not hook up with the guy they wanted.  It happens a lot.  But for us in the business as a career, it is just a job.

 
RC: You seem to do for a living what a lot of people do (or would like to do) for fun! Dancing, partying, being photographed, visiting far-away places.... What do you do when you are on holiday?

 

JULIAN: What I like to do on my time off is just relax.  I love sitting on my couch at home, under the fan, watching my favorite shows or a good movie.  I also like to vacation at a nice tropical location.  Sun and the sound of the ocean crashing are my favorite.  I also love the sound of thunderstorms to make love in and fall asleep to.


RC: I understand that a cover model can still look fabulous at fifty. I suppose Mick Jagger has shown us that an older guy can dance fairly vigorously (with his shirt off) until he is a very respectable age. What are your long-range career plans? What are your career ambitions? Do you see yourself dancing and modeling for the rest of your working life, or do you look on what you are doing now as a launching pad (or a diversion) ? 

JULIAN: Well, I have pretty much danced my way through life.  I have started a couple businesses I spoke of earlier in the interview.  I will still stay in the entertainment business when I am no longer performing.  I will own and manage my companies.  I am getting ready to open a new tattoo shop here in Houston, Texas called “Dawg Pound Tatts”.  I am also looking to get into acting and maybe stay in modeling, etc.  All that I have in life is from this business, it has been great for me and I don’t regret it at all.  I grew up as part of a low income inner city family from Cleveland, Ohio.  My closest friends have mostly been in trouble the majority of their lives, either killed, jailed, or still where I was at 12.  It saddens me to go home because I see what I could have been if it wasn’t for dance.  I have made my own choices, learned from my mistakes and tried to be the best person I can be.  I feel I have been a great dad to my son, a great son to my mom, and I plan on being the best husband to my wife.

RC: Julian, is there anything I haven't asked that you would like to share?
How fans --or art departments-- can find out more about you?


JULIAN: You can check me out on myspace at www.myspace.com/jamz01 .  The IMOS site is  www.internationalmenofsteel.com.  Sendstrips website is www.sendstrips.com. 

JULIAN: Thank You Rowena Cherry for the interview.  It has been fun!!!

RC: Thank you very much, Julian. 

THEMES For BUILDING ALIEN CULTURES and ALIEN SEXUALITY

a.) War, Alien Invasion: The most common theme is aliens seeking to conquer Earth or destroy Earth.  Prime examples of this type of story are SF movies and TV series like H. G. Wells War of the Worlds, Independence Day with Will Smith as a fighter pilot taking Earth technology against the evil aliens, and V-the TV mini-series.

b.) Evil Aliens: Another common theme involves human heroes and heroines fighting evil bloodthirsty alien creatures, either on Earth or in space.  Classic examples of this theme are The Thing, the Alien horror series with Signoury Weaver, The Blob and of course, the movie Signs staring Mel Gibson.

c. Earth as a refuge: Aliens seeking Earth as a refuge for their people, the TV series Alien Nation was an excellent example of this theme.  Zenna Henderson also uses this theme in her short story series entitled, The People, No Different Flesh.

d.) Miscommunication: Aliens come to Earth for peaceful reasons. Humans are afraid and believe the aliens are evil and mobilize their armed forces to fight back against the evil aliens. A very early black and white SF movie made in 1952, The Day the Earth Stood Still is a classic example where the alien flying saucer lands on the White House lawn and the president calls up tanks, airplanes and the military to defend humanity against the alien invasion.

Another good example of miscommunication is the novella Subcommittee by Zenna Henderson.

Here's the first paragraph of that story. First came the sleek black ships, falling out of the sky in patterned disorder, sowing fear as they settled like seeds on the broad landing field. After them, like bright butterflies, came the vivid-colored slow ships that hovered and hesitated and came to rest among the deadly dark ones.

In this story aliens came to Earth for a refuge. Battles take place in space and many lives are lost on both sides. This story starts where humans and aliens are trying to negotiate peace but they're not getting anywhere because neither side wants to reveal their weaknesses. What finally brings peace is when a human and alien child meet and their human and alien mothers learn to become friends and the human mother brings the crucial piece of information to the negotiation table as to WHY the aliens came to Earth.

LEGAL THEMES:
a. Space law: There are a number of Space Treaties and laws already in existence on Earth.
http://www.spacelaw.com.au/
www.spacelawstation.com/

b. Alien criminals, alien cops and bounty hunters:  This is a subset of the basic alien invasion theme played out on a more personal level, usually with one or two humans figuring out the problem and fighting back.  Prime examples of this theme are the Predator movies and the movie I pointed out at the beginning of my class, I Come In Peace, where the alien criminal comes to Earth killing humans while draining endorphins from their bodies to sell as drugs while another alien cop/bounty hunter arrives chasing him and humans get involved to help the alien cop/bounty hunter kill the alien criminal.

The theme of alien criminals and bounty hunters/cops chasing these criminals is a popular theme for Erotic Alien Romance type stories. I used another subset of this theme with my Erotic SF story, The Huntress, where Rulagh is an alien exo-biologist sent to Earth on an animal control mission by the Interstellar Humane Society.   The Men in Black movies used this concept also but they did it as parody/comedy rather than a straight SF action-adventure type story.

RELIGION:

Every culture has religious beliefs and beliefs about life after death. As I mentioned in my previous lecture, in my story The Huntress, they not only believed in reincarnation, these aliens had documented reincarnation as scientific fact. There are many examples in human culture and history that you can adapt and use when you create alien religions and even alien cults that are on the outskirts of the main alien culture.  Do not make the mistake of having aliens where every alien has the same culture and religious beliefs. Look how many different cultures and religions we have here on Earth.

LANGUAGE:

The most common SF theme is aliens who can speak and understand English because they've been listening to our radio and TV broadcasts for a hundred years. Another common SF theme to take care of language differences is the universal translator device.

C.J. Cherryh's leonine aliens cannot understand their human stowaway when they first meet him.  In fact, they're not even sure he's not an escaped animal until he starts writing numbers in his blood that's smeared on the deck plate from the cuts he received from one of the Chanur spacer's claws.  Half of the first book in that series shows the human working with a computer and painstakingly speaking his words into that computer for the different images shown in order to give their translator device enough human words to use.  Gaining a complete dictionary/glossary of the human language becomes a critical and very important item of trade for the Chanur.

In The Huntress, Rulagh implants his language into Sonia's brain with a sleep-teaching device.  I also created alien words for Rulagh to use when he referred to breasts and genitals and because he has a forked tongue, he hisses and for every word in English that began with an s, I added extra ss's.  For example, he would say "I ssee you."

For my Alternate Earth Reality book Girls Just Wanna Have Fun, they have mute  telepaths who can transfer the new language into a person's mind. Teoh, the mute telepath in this story transfers his language into the two women, Twig & Sammy who get transported into this alternate Earth via the Bermuda Triangle.

PART II: CREATING ALIEN CULTURES:

You can use following types of cultural systems as a basis for your alien cultures.

1. Patriarchal: A system of social relations whereby the senior, decision-making member of the group, clan or tribe is a male elder. Patriarchal groups often have a matrilineal kinship system, with descent being reckoned from a male ancestor. Extreme examples of patriarchal cultures are manifested by a few of the more restrictive Islamic religions. There's nothing that says your aliens can't have a patriarchal culture.  However, if your aliens have the exact same culture as the basic WASP (White Anglo Saxon Protestant) mainstream culture in many countries on Earth including the USA, then they won't seem very alien to your readers, would they?

2. Matriarchal: A system of social relations whereby the senior, decision-making member of the group, clan or tribe is a female elder. Matriarchal groups often have a matrilineal kinship system, with descent being reckoned a female progenitor. Many of the Eastern Native American tribes like the Iroquois had matriarchal cultures. http://www.bbc.co.uk/dna/h2g2/A890552

a.) Celtic: Celtic laws were created by a matriarchal culture.
http://www.ancientworlds.net/aw/Group/46415

The position of women in the Celtic Law system was amazingly advanced compared with the rest of the world. They were lawyers and judges and queens, while women in other parts of the world were the chattels of men.

Even in some religions today women are not given the power that men have. Ireland was possibly the most advanced of all European cultures: it had an Iron Age culture which included bards, historians, judges and a set of laws that governed all aspects of life.

This voluminous set of laws covered everything from hurting a chained dog to behavior while drinking. The set of laws was known as the Law of the Commoner or Freemen, or the Brehon Law. So balanced and just was the ancient Law that it was adopted by the majority of the Norman conquerors and held sway among the populace until ruthlessly put down by Cromwellian forces in the 17th century. Many suppose that the Brehons served as judges. Actually, the Brehon was but the legal expert.

b. Australian Aborigines: The Australian Aborigines are said to have a matriarchal culture.
http://www.aboriginalartonline.com/culture/culture.php

c.) Tauregs: The Tuareg culture are a Berber tribal culture in Africa's Sahara that has a complex system of both matrilineal and patrilineal descent. They were originally patrilineal but adopted matrilineal descent. They also have a complex society of Thaggaren or nobles. Marabouts or priests, Innghad or serfs, and Ireghenaten or cross-breeds.
http://www.gosahara.org/kel.html
http://www.mnsu.edu/emuseum/cultural/oldworld/africa/tuareg.html
http://lexicorient.com/e.o/tuareg.htm

d. Role Reversal: This is another subset that's under matriarchal cultures. Too many writers make the mistake of doing role reversal when they try to create a matriarchal culture. This is incorrect. A true matriarchal culture is NOT a patriarchal culture with women as the strong rulers and men as weak, submissive partners.

A strong woman wants a strong man as her partner, not a weak, submissive slave. Wen Spencer does a little bit of role reversal in her SF story, A Brother's Price but she makes sure the men in this culture are strong and sexy. You can read an excerpt of Chapter One from A Brother's Price here at this url http://www.wenspencer.com/abrothersprice.html

Wen Spencer uses polygyny (more commonly referred to as polygamy) for this culture i.e. one husband with multiple wives instead of polyandry where you have a woman with multiple husbands.

Another common SF cliché is to portray women only, matriarchal cultures as static, technologically backward, hierarchical and insect-like. Those stories based their culture on Queen bees and their hives filled with female workers and male drones. This kind of fiction operated very much out of traditional cultural assumptions. The female characters were alien because they weren't "proper" women.

Or they have men and women living in separate societies (and I'm not talking Mars and Venus, either).

3. Polygamous/ polyamorous cultures. A basic l definition of polygamy is the practice of marriage to more than one spouse at the same time versus monogamy where each person has only one spouse or life mate. Technically speaking with divorce and remarriage accepted as normal part of the mainstream WASP cultures, you could say they practice serial monogamy rather than pure monogamy which would mean 'until death do us part' with no remarriage after the death of a spouse.  There are numerous examples and excellent definitions presented of the many different types of polygamous cultures at this web page http://en.wikipedia.org/wiki/Polygamy

There is additional and detailed information about polyamory arranged by topics at the following website. http://www.polyamory.org/~joe/polypaper.htm

Classic SF books that look at polyamorous line marriages are Robert A. Heinlein's Stranger in A Strange Land and The Moon is A Harsh Mistress.  Another excellent SF novel with polyamory/group marriage as a normal part of the culture is Courtship Rite by Donald Kingsbury.  But don't expect a lot of sensual sex in these stories. The sex scenes are very short.

I created a matriarchal/polyamorous culture for my Sidhe trilogy, Covenants, Down Came a Blackbird and Out of The Dark. If you're interested in reading the first three chapters of these books, they're at my author website of www.sff.net/people/selkiewife

4. Transgendered cultures: A good example of this would be the Native American Berdache.  Bisexuality, cross-dressing and transgendered were all part of the many different types of berdache in the Native American tribes.
http://www.healthyplace.com/communities/gender/intersexuals/berdache_tradition.htm
http://www.geocities.com/westhollywood/stonewall/3044/berdache.html
http://www.hotcakencyclopedia.com/ho.BerdacheOriginMyth.html

Ursula Le Guin's Left Hand of Darkness is a classic SF novel where the inhabitants are a neuter gender who change to either male or female depending on pheromones of their lover.

My novella Christmas Noir has a hermaphrodite as the main character in a future where hermaphrodites are the last minority to receive equal rights. Of course, there's a serial killer targeting hermaphrodites in this story and Shannon the hermaphrodite character has two detectives, a man and woman guarding her after Shannon receives a death threat with photos of the latest murder victim.

I also have hermaphrodites as part of the alternate Earth reality in Girls Just Wanna Have Fun, which won the 2005 Dream Realm Award for Best SF Erotica.

Lots of possibilities here if you want aliens who are transgendered, who can morph into either sex depending on who their lover is or who are dual-sexed.

You can find tons of information about hermaphrodites at this website.
http://www.isna.org/faq

5. Animal culture models: If you want to create an alien culture modeled after wolf pack socialization, this website has very detailed information. http://www.fiu.edu/~milesk/behavior.htm

Lion social behaviors are shown here at http://www.thebigcats.com/lion/lion_social.htm
and at: http://www.nature-wildlife.com/liontxt.htm

Feeding habits, social behaviors of seals, sea lions and walrus.
http://www.britannica.com/ebi/article-207840

Development of sea lion social behavior through play.
http://icb.oxfordjournals.org/cgi/content/abstract/14/1/391

Some animal species reproduce asexually. Seahorse males carry their fetus in pouches. Other fish species lay their eggs in the water and have nothing to do with them afterwards. I mentioned in an earlier lecture the fact that reptilian reproduction is scent-based and that many reptilian species have a double penis. Flamingos need a group of other flamingos around them in order to reproduce. Some zoos use multiple mirrors around their caged flamingos in order to encourage them to reproduce.

6. Marriage customs: A subset of the different cultural systems covers marital customs:

When a community does not allow marriage with members outside of the community, this is called endogamous marriage patterns. Endogamous marriage means that individuals are marrying their relatives in some way and so the lines of descent remain fairly pristine.

When a community marries only members outside the community, this is called exogamous marriage patterns. Such communities incorporate the one spouse into the other spouse's community, depending on which family the married couple settles down with. Individual married couples and nuclear families almost never settle by themselves, but they move in with or next to one of the spouse's family.

In exogamous marriage cultures, then one spouse must move out of their kinship-based community and move to the other spouse's community. If a society demands that the wife move in with the husband's family or move to the husband's community, that is a patrilocal, or "father-located" kinship society. If the husband must move in with the wife's family or community, that is a matrilocal, or "mother-located" kinship community.

In C.J. Cherryh's sprawling epic about human space exploration, Downbelow Station, she shows a mixture of marriage customs.  There are three political structures pitted against each other, the Alliance, Company and Union.  Stationers and merchanters are the Alliance. Earth with its vast mercenary troopships funded by corporations is the Company and Cyteen and its colony planets are Union.

Stationers have a patriarchal and patrilocal structure.  The traders who live on the vast merchant ships that travel from star to star have a matriarchal and matrilocal structure. The soldiers on the Company ships fighting the colonies of Cyteen have a polyamorous structure for their lives and no children. The colonies past Cyteen run the gamut of all the different customs depending on the planet.

She illustrates this with the relationship between Quen and Konstantin, the stationmaster at Pell. Ellen Quen's ship was destroyed in the war. She is the last Quen simply because she left her ship for one year to be with Konstantin and now that her ship is gone, she wants to get pregnant despite the war that is going on between Alliance, Company and Union space.

Konstantin wonders about trader morals.  He asks Quen about the fact that they move from station to station and they make love promiscuously and accept all children born to their women into their family name. Quen looks at him and says, "But all the men on my ship are my cousins, where else would we get our children?"  So, after he thinks about it for a bit, he comes back to her and tells her, yes he'll give her children and he agrees that the first child she has will be a Quen in order for the Quen Name to continue because the Konstantin family already has more than enough children to continue their Name.

7. Symbiotic cultures. Bloodchild by Octavia Butler
http://www.washingtonpost.com/wp-srv/style/longterm/books/chap1/bloodchi.htm

shows a large wormlike alien species that develops a unique symbiotic relationship with humans.  In return for humans acting as the host bodies for the alien fetuses, the aliens cure human illness and give them a much longer lifespan.  Of course, there's also extreme danger with this symbiotic relationship.  The aliens must remove the fetus via C-section right before it becomes fully mature because the normal process of "birth" has the fetus eating its way out of the host body.

I used symbiotic aliens for my book, On The Edge of Time.  In that book, the aliens are shapeshifters who can function on their own within wrymhole space and they form a partnership with humans whereby they fight wrymdragons in wrymhole space and keep the wrymdragons from destroying the human spaceships and brutally killing the humans.  However, in order to survive outside of wrymhole space, the aliens in this story must link with their human hosts and they appear as living serpent tattoos on their hosts' bodies.  Plus, for reproduction, they implant their eggs within the male host because the male has the larger and stronger body.

In order to write Alien Sexuality, you need to think the cultural themes through first.  After you’ve developed the culture, the sexuality for your alien characters will have a natural flow within the story and the love scenes will be believable.

Thank you.

Barbara Karmazin
www.sff.net/people/selkiewife

READ MORE AT
http://aliendjinnromances.blogspot.com

 

Author Websites:

Susan Kearney
Madeline Hunter
Sandra Hill
Renee Field
Judi McCoy
Deborah MacGillivray
Rebecca York aka Ruth Glick
Jacquie Rogers